Barcelona, Spain. June 2011.
I really love text. I love it because I love words and stories and poetry. I love big ideas concisely and precisely evoked through the choice of exactly the right images, the right words. But I also love text visually. I love typography and the extension of typography into art, from advertising design to graffiti.
One of my favourite features of la Sagrada Familia is the set of doors you pass through as you enter the church. They are metal doors, hand-carved in Catalan with the story of Christ (at least, I think that is the story, as I don’t read Catalan), the words a perfectly imperfect texture both bold and modern, and artisanally human at the same time.