Ito, Japan. October 2014.
Admittedly, I have never paid much attention to clothing or fashion in particular. There were some small boutiques in Gracia, the neighbourhood of Barcelona we used to live in that created some noteworthy designs, things I liked as art pieces as they hung in the window displays of the stores. Clothing that conjured characters and suggested fictions, clothing for a parallel world recognizable as our own and yet unfamiliar at the same time. But more than anywhere I’ve been, Barcelona included, and with Paris perhaps, as a close second, people in Japan dress. Clothing here, whether traditional or contemporary, or even cosplay, fits and is structured so that I have become more aware here than anywhere, of cuts and shapes and lines and textures and colours and patterns. And movement. Perhaps it is the filmmaker in me, but I am always fascinated by the movement.